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Showing posts with label Studies. Show all posts
Showing posts with label Studies. Show all posts

Thursday, December 1, 2011

Turners and Burners: The Folk Potters of North Carolina (Fred W. Morrison Series in Southern Studies)

Turners and Burners: The Folk Potters of North Carolina (Fred W. Morrison Series in Southern Studies) Review


This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of "turners and burners" whose creations are much admired for their strength and beauty. Perhaps no other state possesses such an active and extensive ceramic heritage, and one that is entirely continuous. This book is an attempt to understand both the past and the present, the now largely vanished world of the folk potter and the continuing achievements of his descendants. It is a tribute that is long overdue.

From the middle of the eighteenth century through the second quarter of the twentieth century, folk potters in North Carolina produced thousands of pieces of earthenware and stoneware—sturdy, simple, indispensable forms like jars and jugs, milk crocks and butter churns, pitchers and dishes, ring jugs and flowerpots. Their wares were familiar and everyday, not innovative or unusual, because they were shaped through generations of use for specific functions. The utilitarian forms were so commonplace and embedded in daily life that few individuals documented the craft. Turners and Burners is the first book to chronicle these pottery traditions, with close attention to distinct regional and temporal patterns and the major families involved. It explores in detail the traditional technologies used, from the foot-powered treadle wheel to the wood-fired groundhog kiln.

Terry Zug became interested in North Carolina pottery in 1969 shortly after moving to Chapel Hill. In 1974 he began documenting the craft and traveled throughout the state recording the reminiscences of potters, former potters, and members of potters' families who recalled the old craft in remarkable detail. He systematically photographed and cataloged old pots, located early shop sites, and carefully recorded the remaining waster dumps of broken shards and decaying equipment. His primary source, however, was the potters themselves. Their tape-recorded interviews provide an insider's view of their world and reveal the powerful underlying logic and autonomy of their craft. Read more...


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Sunday, November 13, 2011

Bazaar Politics: Power and Pottery in an Afghan Market Town (Stanford Studies in Middle Eastern and I)

Bazaar Politics: Power and Pottery in an Afghan Market Town (Stanford Studies in Middle Eastern and I) Review


After the fall of the Taliban, instability reigned across Afghanistan. However, in the small town of Istalif, located a little over an hour north of Kabul and not far from Bagram on the Shomali Plain, local politics remained relatively violence-free. Bazaar Politics examines this seemingly paradoxical situation, exploring how the town's local politics maintained peace despite a long, violent history in a country dealing with a growing insurgency.

At the heart of this story are the Istalifi potters, skilled craftsmen trained over generations. With workshops organized around extended families and competition between workshops strong, kinship relations become political and subtle negotiations over power and authority underscore most interactions. Starting from this microcosm, Noah Coburn then investigates power and relationships at various levels, from the potters' families; to the local officials, religious figures, and former warlords; and ultimately to the international community and NGO workers.

Offering the first long-term on-the-ground study since the arrival of allied forces in 2001, Noah Coburn introduces readers to daily life in Afghanistan through portraits of local residents and stories of his own experiences. He reveals the ways in which the international community has misunderstood the forces driving local conflict and the insurgency, misunderstandings that have ultimately contributed to the political unrest rather than resolved it. Though on first blush the potters of Istalif may seem far removed from international affairs, it is only through understanding politics, power, and culture on the local level that we can then shed new light on Afghanistan's difficult search for peace.
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Monday, October 31, 2011

Gandhi's Spinning Wheel and the Making of India (Routledge Studies in South Asian History)

Gandhi's Spinning Wheel and the Making of India (Routledge Studies in South Asian History) Review


Gandhi’s use of the spinning wheel was one of the most significant unifying elements of the nationalist movement in India. Spinning was seen as an economic and political activity that could bring together the diverse population of South Asia, and allow the formerly elite nationalist movement to connect to the broader Indian population.

This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its appropriation by the anti-colonial movement. This complex of visual imagery and performative ritual had the potential to overcome labour, gender, and religious divisions and thereby produce an accessible and effective symbol for the Gandhian anti-colonial movement. By thoroughly examining all aspects of this symbol’s deployment, this book unpacks the politics of the spinning wheel and provides a model for the analysis of political symbols elsewhere. It also probes the successes of India’s particular anti-colonial movement, making an invaluable contribution to studies in social and cultural history, as well as South Asian Studies.

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