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Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

Friday, November 30, 2012

American Art Pottery from the collection of the Everson Museum of Art

American Art Pottery from the collection of the Everson Museum of Art Review


American art pottery, whose heyday spanned the late 1880s through the late 1920s, has endured as one of the country's most popular styles in ceramic design. For this book, Barbara A. Perry, former curator of ceramics at Everson Museum of Art, Syracuse, New York, has selected 100 examples of the finest American art pottery from the Everson's renowned holdings. 100 illustrations, 55 in color. Read more...


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Friday, November 9, 2012

Lucy M. Lewis: American Indian Potter

Lucy M. Lewis: American Indian Potter Review


The Acoma pueblo is the oldest continuously inhabited settlement in North America. This Indian community, which probably dates back over a millennium, was home to one of America's most talented and innovative potters-Lucy M. Lewis (d. 1992).

Born around the turn of the century, Lewis rose from humble origins to become one of the most important craftspersons of this century. As mother, matriarch, and artist, she made a monumental statement about her own society. She absorbed the work of her Indian ancestors, and from their ancient designs fashioned a modern sensibility that brought Indian pottery into the twentieth century.

She began making pots at an early age, teaching herself from shards she found around her home. With age, practice, and a keen eye came perfection, and eventually admirers. Her pieces are now in the collections of prominent museums in New York, Washington, D.C., and Los Angeles, as well as throughout the Southwest.

Susan Peterson's intimate biography is a major accomplishment. It captures the essence of this inspirational woman with candor and affection. Over 220 color plates (and 120 black-and-white photos) convey the life and work of Lucy and her family. Lucy M. Lewis: American Indian Potter not only offers insights into the sources and milieu of Lewis' vast talent, but documents the achievements of one of America's greatest native craftswomen. Read more...


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Sunday, October 30, 2011

Colonial Craftsmen: And the Beginnings of American Industry

Colonial Craftsmen: And the Beginnings of American Industry Review


The vanished ways of colonial America's skilled craftsmen are vividly reconstructed in this superb book by Edwin Tunis. With incomparable wit and learning, and in over 450 meticulous drawings, the author describes the working methods and products, houses and shops, town and country trades, and individual and group enterprises by which the early Americans forged the economy of the New World.

In the tiny coastal settlements, which usually sprang up around a mill or near a tanyard, the first craftsmen set up their trades. The blacksmith, cooper, joiner, weaver, cordwainer, and housewright, working alone or with several assistants, invented their own tools and devised their own methods. Soon they were making products that far surpassed their early models: the American ax was so popular that English ironmongers often labeled their own axes "American" to sell them more readily. In the town squares a colonist could have his bread baked to order, bring in his wig to be curled, have his eyeglasses ground, his medicine prescription filled, or buy snuff for his many pocket boxes. With the thriving trade in "bespoke" or made-to-order work, fine American styles evolved; many of these are priceless heirlooms now—the silverware of Paul Revere and John Coney, redware and Queensware pottery, Poyntell hand-blocked wallpaper, the Kentucky rifle, Conestoga wagon, and the iron grillework still seen in some parts of the South. The author discusses in detail many of the trades which have since developed into important industries, like papermaking, glassmaking, shipbuilding, printing, and metalworking, often reconstructing from his own careful research the complex equipment used in these enterprises.

The ingenious, liberty-loving artisans left few written records of their work, and only Mr. Tunis, with his painstaking attention to authentic detail and his vast knowledge, could present such a complete treasury of the way things were done before machines obliterated this phase of early American life.

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